Septagon

The Septagon figure belongs to the sphere of Venus and Nezach or Netzach, yet it expresses their nature in a more fluid and experiential way than the structured square. Seven is the number of cycles – of phases that unfold, return, and transform without exact repetition.

Beyond numerical tables or ritual squares, it celebrates the sphere as the realm of triumphant beauty incarnate: the vision of a radiant, unveiled goddess whose presence stirs the instincts and awakens the arts of love in their highest form. In the mystical imagination, Nezach is a realm of living images: forms that arise, shift, and dissolve, like figures seen in moving light. It is through colour, rhythm, and sensation that its forces are perceived, rather than through fixed definition.

Here polarity flows not merely as physical union but as the universal dance of giving and receiving, the magnetic pulse that animates nature, inspires the poet, and lifts the soul toward self-forgetting generosity. Myth and symbol converge here in the imagery of the rose and the living flame – signs of love, beauty, and the generative power that moves through all things. This is not merely physical attraction, but a broader principle of polarity: the constant exchange that sustains creation.

The mixed metals echo the sphere’s vitality – silver for the moonlit veil of emotion, bronze and brass for the warm, earthly fire of creative instinct – while the seven sides honour the fullness of Netzach’s victory. The septagon itself resists rigid symmetry, inviting perception rather than analysis. To contemplate or wear the septagon is to step into that current of living beauty, where love becomes both the force that binds the cosmos and the grace that frees the heart.